Coming up
9.-23. May
Mirrors, ada, Wien
Solo Shows
2024
Wen juckt das?, Spektakel, Wien
2022
Exhibition At Home, Foto Wien
2019
Peace and Quiet, Lazy Life, Wien
At Home, Fett+Zucker, Vienna (EuroPride)
Group Shows
2024
What else should they be, Pamėnkalnio gallery, Vilnius, Litauen
Sisters United: Gegen Gewalt an Frauen*, Tangente St. Pölten
Grenzen, West Space, Wien
2023
Über das Neue – Wiener Szenen und darüber hinaus, Belvedere 21, Wien
Häusliche Gewalt, Die Graphische
re_ass_ess_me!, FotoWien, Wirr) im Raum, Wien
What Is Real What Is Not, MASC Foundation, Wien
Skin Festival, Tschungel Wien
2022
Approximating, AG18 Gallery, Wien
SOUVENIRS DE L’AVENIR, Geen Doors, Wien
2020
Space20, Schloss25
Thessaloniki Queer Arts Festival, GR
2019
Double-Sided Sticky Tape, Turner Contemporary, Margate, EN
2017
Photo: Vienna, MAK – Austrian Museum for Applied Arts
2016
Rundgang, Academy of Fine Arts, Vienna
Residencies
2022
QM&A Collective
New Friendships, St. Pölten
Featuring
2021
The Gap, No. 190
Female Photographers Vienna (online)
2016
kwerfeldein.de
Education
2024
Photography College, Die Graphische
2016/2017
Friedl Kubelka, School for Artistic Photography, Vienna
2008
M. Sc. in Architecture, Faculty for Civil Engineering and Architecture, University of Niš, SR
I was born in Niš, Yugoslavia, where I earned a master’s degree in architecture. In 2012, I moved to Vienna and worked as a youth worker with girls* and young women* before fully dedicating myself to photography and art. I began learning photography as a teenager, but it was in Vienna that I continued developing my skills, first at the Friedl Kubelka School for Artistic Photography and later at Die Graphische, a photography college. Since April 2024, I have been one of the residents of the art studios at Das Weisse Haus in Vienna.
Growing up in Yugoslavia during the 1990s, my life was profoundly shaped by economic crises, wars, and a widespread erosion of humanity—fueled by patriarchy and one of its strongest tools: divisions. These experiences led me to seek solace and purpose in anti-war, feminist, and queer movements. Years of activism not only shaped me personally but also deeply influenced my approach to art and photography.
Artist Statement
Starting from photography as my primary medium, I explore in my artistic practice the themes of body, identity, social norms, and the aesthetics of social classes – often in interplay with narrative approaches. Documentary strategies form a central element of this process: less out of an interest in truth or objectivity, and more as a means to intensify and convey experiences.
For me, documentation becomes a space of lived experience – a place where social realities are not merely depicted but embodied. At the same time, I regard documentary practice as a form of resistance against dominant perspectives that render marginalized histories and lived realities invisible or erase them altogether.
At the core of my work lies a subjective gaze on social structures and their representations. My practice is increasingly evolving into hybrid forms: through the deliberate expansion or disruption of documentary techniques and the integration of other media, I create works that transport my personal experience – between reference and subjectivity.